世界華人楷模藝術家楊仟慧登上紐約時代廣場

【公民新聞記者/國際藝文訊】

農曆新年之際，來自台灣的當代藝術家－楊仟慧（Adia Yang），入選世界華人楷模，於美國紐約Times Square大型電子螢幕亮相，向全球華人傳遞新年祝福，也讓國際觀眾在世界城市核心，看見來自台灣的當代藝術身影。

照片

https://youtu.be/OY3ts96Gos4?si=O40-aYqHZyosJ75Q

(圖片截取自YouTube頻道Adia Art Foundation)

此次播出畫面以「世界華人楷模、著名藝術家楊仟慧向全球華人拜年」為主題，內容涵蓋藝術家形象與作品片段，在車水馬龍的時代廣場夜色中，形成一幕安靜而深刻的文化畫面。相較於商業訊息的高密度曝光，此次呈現方式更顯內斂，突顯藝術作為文化語言的獨特力量。

自2003年成立的非營利組織－世界華人創業楷模協會，長期關注華人在全球各專業領域所展現的正向影響力與公共價值，其精神核心在於文化典範的建立與社會責任的傳遞。此次以文化祝賀形式於國際地標呈現，象徵華人精神在全球重點城市脈動中的一個溫柔節點。

來自台灣的藝術家楊仟慧Adia，長期以「第三眼」與內在覺醒為創作核心，透過繪畫與複合媒材，描繪人類內心深處的抽象風景。其作品關注生命經驗、靈性思考與個體存在的真實狀態，在當代藝術語境中展現高度個人性與辨識度。

此次於紐約的亮相，不僅是一場藝術曝光，更是一則跨文化的節慶問候。對海外華人而言，是一份來自東方文化的祝福；對國際觀眾而言，則是一次與台灣當代藝術相遇的片刻。

楊仟慧表示，藝術是能跨越語言與地域的媒介，在世界最繁忙的城市之一，留下一個讓人願意停下腳步、感受文化溫度的瞬間，已是美好的存在意義。

Taiwanese Contemporary Artist Adia Yang Appears in Times Square, New York

During the Lunar New Year, Adia Yang, a contemporary artist from Taiwan, appeared on a large digital screen in Times Square, sending New Year greetings to global Chinese communities and introducing Taiwanese contemporary art to an international audience.

The broadcast featured the theme “World Chinese Role Model and Renowned Artist Adia Yang Extends Lunar New Year Wishes”, presenting the artist’s image and selected works. Against the vibrant nighttime landscape of Times Square, the presentation offered a quiet and reflective cultural moment, emphasizing art as a universal language beyond commercial spectacle.

Established in 2003, the World Chinese Venture Model Association is a nonprofit organization that recognizes positive contributions and cultural influence within global Chinese communities. Its mission focuses on role modeling, social responsibility, and cultural values. This New Year presentation at a major international landmark symbolized a gentle cultural connection within the global urban landscape.

Adia Yang’s artistic practice centers on inner awareness and spiritual perception, often described as works inspired by the “third eye.” Through painting and mixed media, she explores inner landscapes shaped by lived experience, consciousness, and personal reflection, positioning her work within a distinct contemporary art discourse.

This appearance in New York was not only an artistic exposure, but also a cross-cultural seasonal greeting—offering a moment of connection between Eastern cultural sensibility and a global audience.